Oil Painting on canvas by Inson Dubois Wood in a collaboration with Richard
This exciting and thought-provoking piece, titled “Multiple Geographies - We Are All One,” is crafted with hints of nature’s sunsets and blue seas. Created by Inson Dubois Wood, who has painted and exhibited in galleries for over 20 years, this stunning work is a collaboration with esteemed artist and art professor, Jim Bergesen. The painting draws inspiration from cartography and tectonic plate shifts, exploring the idea that countries and boundaries are a relatively new concept in human history.
Much like the powerful collaborations of artists such as Basquiat and Warhol, this artwork marries two distinct styles. Rendered in black ink and acrylic on canvas, the piece speaks to the fluidity of geography and the interconnectedness of all people. The use of archival-quality pigments and canvas ensures this work remains a timeless addition to any collection.
This painting is not just a visual statement; it represents the spirit of collaboration and the evolving dialogue between art and geography. Own a piece of art by Inson Dubois Wood, one of the founders of the nonprofit organization, Foundation Cycling New York.
BIOGRAPHY
Inson Wood draws inspiration from his formal training in architecture and interior design, and the rich heritages of his Thai-French ancestry.
Heavily influenced by the concept of Zen philosophy and Buddhism, he embraces the Japanese aesthetic of wabi-sabi, a world view centered around appreciating beauty that is perfectly imperfect in nature. The Enso, a sacred symbol of togetherness in Zen Buddhism, can often be found in his works as an underlayer or an overlayer in his paintings.
Deeply ingrained in Inson’s work is also the idea of the Kantian sublime, of philosophical beauty, of aesthetics, of lightness, of the divine. Inson masterfully juxtaposes this idea of beauty according to Kant with the darker side of beauty – of depth and truth, purpose, and organized disorder.
Having designed and decorated numerous homes around the world, Inson believes in the transformative power of art and that it should be accessible to all, not just the wealthy. His paintings and sculptures are held in private collections around the world.
Heavily influenced by the concept of Zen philosophy and Buddhism, he embraces the Japanese aesthetic of wabi-sabi, a world view centered around appreciating beauty that is perfectly imperfect in nature. The Enso, a sacred symbol of togetherness in Zen Buddhism, can often be found in his works as an underlayer or an overlayer in his paintings.
Deeply ingrained in Inson’s work is also the idea of the Kantian sublime, of philosophical beauty, of aesthetics, of lightness, of the divine. Inson masterfully juxtaposes this idea of beauty according to Kant with the darker side of beauty – of depth and truth, purpose, and organized disorder.
Having designed and decorated numerous homes around the world, Inson believes in the transformative power of art and that it should be accessible to all, not just the wealthy. His paintings and sculptures are held in private collections around the world.